Bharatanatyam
The eight
distinct classical dance styles of India are Bharatanatyam (Tamil Nadu), Kathakali
and Mohiniattam (Kerala), Kuchipudi (Andhra Pradesh), Odissi (Orissa), Manipuri
(Manipur), Kathak (northern India) and Sattriya from Assam. Bharatanatyam
reigns supreme and particularly popular even in European countries.
Evolution:
Architectural
and sculptural evidence proves that Bharatanatyam and some other classical
dance styles like Odissi and Manipuri originated from the temples. The earliest
reference in the second century from the Tamil epic classic Shilapaddikaram and
the temples that developed during the sixth to ninth century signifies and
defines dance as a well-refined art form.
Varied aspects
of music and dance were derived from the four Vedas, namely, Rig, Yajur,
Atharva and Sam, and the fifth Veda known as Natya Veda was believed to
have been created by Lord Brahma. Lord Nataraja (Shiva) is considered the king
of dance and all the classical dance styles portray stories from Hindu
mythology. Lately, stories from the Holy Bible are also recreated in the dance
format. The eight types of classical dance styles are based on texts like
Bharata’s Natya Sastra, Nandikesvaroa’s Abhinaya Darpana, Sangita Ratnakara,
etc. Stories are told through the medium of varied intricate movements, body
language and expressional dancing in order to establish the inter-relationship
between the human soul and the divine soul.
Devadasis or
servants of the gods:
During the
eighteenth and nineteenth centuries, the devadasi system prevailed; young
teenaged girls were married to the “lord” which was part of the temple ritual.
These girls were trained in classical music and dance and performed during
religious and social occasions. Bharatanatyam then was also known as devadasi
attam or ‘sadir’. The degradation of classical dance started when devadasis
moved on from the temple courtyards to dance for the elite chieftains and
zamindars and ultimately for kings and enjoyed royal patronage.
While the dancers
were ostracized by society, the society was equally responsible for the shift
from the “spirit” to the “body”. The colonial British banned the devadasi
system and described the dancers as “nautch” girls. There were protests as the
sanctity of classical dance was disturbed and dances were witnessed only in
quarters. Classical dances underwent varied stages of progression and
regression due to varied social and political changes over the century.
During the
twentieth century, American dancer Esther Sherman renamed herself as Ragini
Devi in order to learn classical dance. Lawyer and critic E. Krishna Iyer
donned female attire in order to attract children from respectable families to
learn classical dance. Theosophist and founder of Kalakshetra School in Chennai,
Dr Rukmani Devi Arundale, and the legendary dancer from the devadasi community,
Balasaraswati, are considered the pioneers of the dance movement in India. Ram
Gopal and Uday Shankar placed classical dances on the international platform.
Great poets like Rabindranath Tagore and Maha Kavi Vallathol promoted classical
dance in order to regain its respectability.
Music and
technique:
Music is in the
classical Carnatic music style and the trinity of Carnatic music, namely,
Tygaraja, Shyama Sastri and Muthuswami Dikshitar, were the main composers whose
musical compositions form the main repertoire of any Bharatanatyam performance.
Compositions of saint poets like Shankaracharya, Meera, Tulsidas and several
others were also used in the dances. Hindustani music was also used in
Bharatanatyam, particularly by the Maratha rulers of Tanjavur.
The technique
of Bharatanatyam is quite intricate and complex. Bha is expressions (Bhavam);
Ra is musical melody (Ragam); Ta is time measure or rhythm (talam) and Natyam
is dramatic quality. Furthermore, Bharata Natyam is a beautiful and divine art
form that combines, music, melody, histrionics, philosophy, psychology,
mythology, varied movements, etc.
Students start
learning at the tender age of five, and the minimum learning duration is at
least ten years, varied movements and steps “adavus” that become quite
intricate, and later all the movements and gestures are used in a particular
item or number. After completion, the student performs Arangetram (ascending to
the stage). The performance begins with invocations and prayers to the gods,
todaya, mangalam, pushpanjali, alarippu, jatiswaram, sabdam, varnam, padam and
the final, thillana.
Some of the top
exponents of Bharatanatyam are Mrinalini Sarabhai, Yamani Krishnamurthy, Padma
Subrahmanyam, Chitra Visweswaran, Sudharani Raghupathy, Malavika Sarukkai,
Alarmel Valli and Nilesh Singha. To pursue a career in classical dance is not
easy as you need a lot of patience, determination, willpower and hard work to
become an accomplished performer.