Santoor
The Santoor is an ancient folk musical instrument that is believed to have originated in Iran and made its way from there to various countries in Asia, Africa, and Europe. In India, it can be found in Kashmir, where it has been played for centuries as an indispensable accompaniment for the Sufi vocal music. Sufi mystics used it as an accompaniment for their hymns. It came to be known in Sanskrit as shat-tantri veena or hundred-stringed lute. This in due course became Santoor.
A trapezoid-shaped instrument, the Santoor is basically a hollow box made of walnut wood with top and bottom boards of plywood and veneer and 72 metal strings, arranged in sets of 3 or 4, tied on nails and stretched over wooden bridges placed on the top board. The length and thickness of the strings vary according to the octave, and they are the thickest in the lower octave. A unique feature of Santoor is the way it is played - not by plucking the strings or drawing a bow across them as in the violin, but by striking them lightly using two light-weight wooden mallets, known as mezrab. The musician sits in a posture known as ardha-padmasana, keeps the instrument on his lap with the broad side closer to his body, holds the mallets between the index and middle fingers and thumb and uses them to strike the strings.
Traditionally, the Santoor was played during festivities and celebrations. However, today it is emerging as a key element in North Indian classical concerts and music festivals. The credit for popularizing the instrument goes to Pandit Shivkumar Sharma, a master instrumentalist and India’s most famous Santoor exponent.
Other well-known names in the field include his son Rahul Sharma, Bhajan Sopori, and the late R. Visweswaran.
